A familiar text from Lessons and Carols services in a brand new setting. Unexpected tonality shifts and waves of building tempos lead to a final climax of "Deo gracias!" A quintessential Advent addition to
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This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.
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The well-known text by George Herbert is set here in a masterful way for choir and organ. "Let all the world in ev'ry corner sing" is one of the best-loved texts of the choral world, especially relevant
A flowing and soothing setting of Psalm 42, appropriate for general use or in Easter Vigil services.
This setting of the well-known text creates a warm and intimate soundscape which reflects the prayerful and devotional Feast of the Assumption of Our Lady. The individual lines are not too demanding, but
Opening with a section of plainchant, this setting of the traditional Latin text most known in the Mozart or Byrd versions shimmers with modern a cappella harmonies. Cluster cadences and expressive vocal
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This expansive and reflective setting of the Beatitudes is influenced by Eastern Orthodox choral traditions. The use of a sonorous tone brings out the voices as they move through the homophonic texture. The
This carol can be used either within a Christmas service or as a stand-alone Christmas centerpiece. The text portrays a work of contrast and variety, conveying a full palette of colors- majestic and
Composed for the National Service of Thanksgiving to celebrate Queen Elizabeth's Platinum Jubilee which took place at St. Paul's Cathedral, London, on June 3, 2022, this five-minute anthem for mixed choir
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A delightful setting of a Sicilian carol that is traditionally played on bagpipes, this features a bass drone under beautiful harmonies by the rest of the choir.
This appropriately mournful setting of the traditional Latin text is rich in harmonic, rhythmic nuances and lyrical melodic lines. Moments of this piece will place you and audiences in the mobs commanding
Lyric and sophisticated writing prevail in this setting of the Latin text "Domine tu mihi lavas pedes." Ideal for developing a sense of harmony and ensemble, this well-crafted gem makes an excellent
A new English a cappella setting ideal for Evensong or a special concert for your experienced singers. With echoes of the English cathedral, the uplifting warmth of the Magnificat contrasts with the
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John 8:31-32 is set here in a well-crafted anthem that experienced singers will enjoy. The piece is laid out in three sections, opening with an expressive chordal section, followed by a bold and festive
A 15th-century text inspired this a cappella setting reminiscent of medieval tonality and rhythm. The dynamics are restrained overall, but contrast is important in each verse. Frequent time signature
This a cappella setting of the traditional carol opens with a spotlight on the tenor section with background choir "oohs." The second stanza is more homophonic, and in the third, the carol is sung
Victor Herbert's renowned text receives a novel and effective musical setting in this SATB a cappella choral fanfare. Stirring and energetic, it conceives each phrase of the text in its own right, employing
The original 15th century English text has been slightly shortened and adapted to provide the basis for this simple, atmospheric carol. The Virgin Mary sings the Infant Jesus to sleep, conveying the love
A gorgeous setting of the popular text from the Requiem Mass. The homophonic writing and the voice-leading make it accessible to advanced and professional ensembles.
A joyful and soaring a cappella work, this English setting of "My soul doth magnify the Lord" is a wonderful way to show off the sound of your choir. Homorhythmic movement and careful voice leading make it
Upper and lower voices are divided into two distinct choral worlds. The sopranos and altos narrate Wordsworth's majestic text, while tenors and basses take on the role of minstrels playing "their Christmas
The Easter message is beautifully condensed in these 14 lines by Edmund Spenser. The main theme, first appearing in the choir's opening phrase, invites the listener to become directly involved in the sense